Hot off the press! I just finished this illuminated calligraphy piece yesterday in preparation for making some Christmas cards on my Zazzle shop. This has passages from Isaiah 7 and 9 about Immanuel, the Son of God. I used the Uncial script, which dates to the 3rd century and was developed in the British Isles. The Celtic Knot is Scottish in style. I am pretty happy with how this turned out and plan to make more like it.
This is a practice piece for a script I’m learning called Artificial Uncial, which dates from very early medieval times in the British Isles. A surprisingly difficult script to learn. I have been finding inspiring quotes to practice with and this one seems particularly apt for these times, where outward differences between people seem more and more problematic.
A few days ago I decided to take up my calligraphy practice again in order to work on some illuminated calligraphy projects. I have had friends commission me to do such things before but I only work my calligraphy when people ask me to. Now I want to keep up the skill more regularly. Here is the Gothic Textura Quadrata script used in the Middle Ages between 1200 and 1500 AD. Very challenging to write and this practice is back from when I was just learning the script. I hope to post more practice sheets and then hopefully some finished products before too long.
Continue reading “Gothic calligraphy practice”
From the archives, an early illuminated calligraphy work I did for my husband. He asked me to do this as a decoration for his classroom. The font, or script, is called Fraktur Miniscule, in use from about 1400 onward and very popular for vernacular works at the time. I used a Celtic Knotwork tutorial book to do the border. I used felt-tip pens instead of paint.
Continue reading “A Student’s Prayer by St. Thomas Aquinas, illuminated calligraphy”