A good friend commissioned this piece for her husband as he had just recently submitted his PhD thesis and this quote was a key part of his theme. The script is Uncial and there are small thistles inside the illuminated initial M.
Recently an acquaintance asked me to do an illuminated calligraphy piece for her new baby. She wanted wall art that included Celtic knots, thistles and rabbits with a colour scheme of coral, blue and green. The baby was born here in St Andrews, Scotland so it seemed fitting. The piece took me much longer than I expected due to my busy family schedule but thankfully my client was very flexible as to the time frame. I am hoping that I can perhaps get more clients who may be interested in this kind of thing for either their own children or as gifts. The finished product was something I was very happy with and my client felt the same way, thankfully.
My newest digital calligraphy work of Psalm 27 verse 1. One of my favorite verses to say to myself in times of doubt or fear. The script is Artificial Uncial.
Lately I have been trying to make some more Scottish themed illuminated calligraphy and decided to write out this Celtic blessing in the Artificial Uncial script. The Celtic knots here are identical, but are rotated in different directions for a nice contrast. It took a long time but I am happy with the result.
Here’s the text, which I think is wonderful: “May you have: walls for the wind, a roof for the rain, and drinks by the fire; laughter to cheer you, those you love near you and all that your heart may desire.”
Enjoy and I hope you have some laughter and warmth today.
A few years back, a friend commissioned me to create this Psalm in calligraphy and told me what he wanted for the illuminations. He wanted oaks, trees, blues and greens, a monk studying the scriptures and a deer. I examined many manuscripts of the 1500s before I found the inspirations I was looking for. The script here is the Fraktur, a type of black letter script or font that was common in Germany starting the 16th century. I used watercolor for most of it but some gold paint for the initial capital letter.
From the archives, an early illuminated calligraphy work I did for my husband. He asked me to do this as a decoration for his classroom. The font, or script, is called Fraktur Miniscule, in use from about 1400 onward and very popular for vernacular works at the time. I used a Celtic Knotwork tutorial book to do the border. I used felt-tip pens instead of paint.
One of the first illuminated calligraphy pieces I did is this Psalm 1 for my friend. It is executed in marker entirely. Sorry about the poor quality of the photograph.