The second stage was writing the lettering. This took relatively little time but what took up quite a deal of time was the many hours practising the script. I like to learn many types of scripts so I often need to brush up on some less familiar ones when a client picks what font/script they want.
The first stage of this illuminated calligraphy work began with my sketching out lightly in pencil the Celtic knot border. I had to look through many design templates to find what worked best for the dimensions of the paper and the style that the client wanted. The Celtic knots took quite a lot of practice…quite a lot.